Aaron Copeland Essay Research Paper Born in
Aaron Copeland Essay, Research Paper
Born in Brooklyn on November 14, 1900, Aaron Copland was the youngest of five kids. American music had no internationally recognized voice of its ain when Copland was turning up. His fate was to provide one. He was the boy of Judaic immigrants. Early music preparation came from an older sister Laurine. He shortly turned to other instructors, and began go toing symphonic concerts, soaking up the music of the standard symphonic repertory. While in high school, he studied harmoniousness, counterpoint, and orchestration with Rubin Goldmark, who tried to maneuver his gustatory sensations down a conservative way. Subsequently he went abroad to finish his musical instruction at a new conservatory for American instrumentalists established at Fontainebleau, near Paris. In his travels through Europe, he was exposed to a broad assortment of new manners. Aaron Copland said that it was his good luck that he was & # 8220 ; 20 in the twenties. & # 8221 ; When he returned to New York it was in the thick of an artistic and societal resurgence, and he instantly became a portion of that reclamation. His early music mixes really modern musical thoughts with intimations of wind influence. In the autumn of 1921, he sold his first piano piece, & # 8220 ; Scherzo Humoristique & # 8221 ; ( The Cat and the Mouse ) , to the publishing house Durand. The music he wrote came to be regarded as the most representative reverberation of the American spirit. On January 11, 1924 his Symphony for Organ and Orchestra was performed by the New York Philharmonic at Carnegie Hall, with Nadia Boulanger as soloist and Walter Damros
ch as conductor. It was later performed by the Boston Symphony Orchestra and conducted by Serge Koussevitzky, who had originally suggested the composition. He wrote Symphonic Ode, for the fiftieth anniversary of the Boston Symphony Orchestra in 1930. It was later revised for the orchestra’s seventy-fifth anniversary in 1955. Copland joined the League of Composers. He remained a member until 1954. He began serving on its board of directors in 1932. He assisted Alma Morgenthau Wertheim in establishing the Cos Cob Press, which later became Arrow Music Press. With Roger Sessions, Copland co-founded the Copland-Sessions Concerts of Contemporary Music New York in 1929. He was awarded $5,000 prize from the RCA Victor Competition for Dance Symphony, which was written in 1925. In mid-career he wrote a string of works of sophistication simplicity that the world recognized and cheered them not only as American, but also as Copland-esque. These included the ballets “Billy the Kid” and “Rodeo” as well as the modern dance piece “Appalachian Spring.” From 1928 to 1931 he coordinated a series of concerts with the composer Roger Sessions that presented important new works to the American public. He lectured at the New School for Social Research and built his reputation as a composer. Because Copland summed up so well so many strands of the experience of being an American, he can be regarded as our national musical voice maybe even more popular than George Gershwin. He was the musical father to more than one generation of young composers.