Comparing Othello And Canterbury Tales Essay Research

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Comparing Othello And Canterbury Tales Essay Research

Comparing Othello And Canterbury Tales Essay, Research Paper

A Case Study In Human Nature

The usage of use and misleading for personal addition has

proved to be successful for many people throughout history.

Celebrated poet, Geoffrey Chaucer, and celebrated drama author, William

Shakespeare, illustrate characters who possess these pull stringsing

qualities in their personalities. Geoffrey Chaucer & # 8217 ; s Pardoner,

from The Canterbury Tales, and William Shakespeare & # 8217 ; s Iago, from

Othello, are good illustrations lead oning characters. These literary

figures pull stringsing techniques are really effectual on the other

characters in Chaucer & # 8217 ; s and Shakespeare & # 8217 ; s plants.

Iago & # 8217 ; s chief motive for his use is his hate of

the chief character, Othello. Iago & # 8217 ; s grounds for his hatred of

Othello Begin with the fact that in taking a lieutenant,

Othello passed over Iago in favour of Cassio, but Iago may hold

hated Othello even before that. Roderigo opens the drama by

crying to Iago, & # 8220 ; Tush! ne’er state me? I take it much unkindly

that 1000, Iago, who hast had my bag as if the strings were

thine, shouldst know of this & # 8221 ; ( 1.1.1-3 ) . The & # 8220 ; this & # 8221 ; is the

elopement of Othello and Desdemona. Roderigo has been giving Iago

money to assist him into Desdemona & # 8217 ; s favour, and he assumes that

Iago knew about the elopement. Iago didn & # 8217 ; T know, which must hold

been abashing. He says about Desdemona, & # 8220 ; Now I do love her

excessively ; Not out of absolute lecherousness, though peradventure I stand

comptroller for every bit great a wickedness, but partially led to diet my retaliation & # 8221 ;

( 2.1.291-294 ) . He wants retaliation for his ain intuition that

Othello has gone to bed with Emilia. It & # 8217 ; s eating at him and he

won & # 8217 ; t be satisfied & # 8220 ; Till I am evened with him, married woman for married woman. Or

neglecting so, yet that I put the Moor At least into a green-eyed monster so

strong that judgement can non bring around & # 8221 ; ( 2.1.299-302 ) . The phrase

& # 8220 ; evened with him, married woman for married woman, & # 8221 ; seems to intend that he has some

impression that he might hold sex with Desdemona, but it & # 8217 ; s non the

sex that & # 8217 ; s of import. Othello must experience that same atrocious

green-eyed monster that Iago feels.

Iago has a really effectual manner with words. When Desdemona,

Iago, and Iago & # 8217 ; s married woman, Emilia, arrive in Cyprus, Cassio welcomes

Emilia with a buss, so says to Iago, & # 8220 ; Let it non chafe your

forbearance, good Iago, That I extend my manners. & # 8216 ; Tis my genteelness

That gives me this bold show of courtesy & # 8221 ; ( 2.1.97-99 ) . Cassio is

doing a large point of what a smoothie he is, but Iago shoots him

down by stating, & # 8220 ; Sir, would she give you so much of her lips as

of her lingua she oft bestows on me, you would hold adequate & # 8221 ;

( 2.1.100-102 ) . He & # 8217 ; s stating that if Emilia kissed Cassio as much

as she nags Iago, Cassio would hold more than adequate caressing.

This seemingly insouciant devaluation of Emilia and her busss is a

misrepresentation ; a small later we learn that Iago is intensely covetous

and suspects Cassio of holding an matter with Emilia. Besides, Iago

convinces Cassio that the best manner to acquire his occupation back is to

entreaty to Desdemona, so sends him off. Entirely on phase, Iago

asks us why we think he & # 8217 ; s a scoundrel, since his advice to Cassio

is free and & # 8220 ; honest, & # 8221 ; and after all he is called & # 8220 ; honest Iago. & # 8221 ;

Answering his ain inquiry, he remarks, & # 8220 ; When Satans will the

blackest wickednesss put on, They do propose at first with heavenly

shows, as I do now. & # 8221 ; ( 2.3.351-353 ) . Iago knows that he is a

diabolic dissembler, bu

T he seems to be acquiring a boot out of it.

Much like Shakespeare & # 8217 ; s, Iago, Geoffrey Chaucer created a

oblique and delusory character by the name of the Pardoner. The

Pardoner is purely & # 8220 ; In it for the money. & # 8221 ; He sells bogus relics

to fleeceable villagers. He convinces these people that these

& # 8220 ; relics & # 8221 ; are of of import spiritual value. Like he says, & # 8220 ; Then I

conveying out my long glass jars, crammed full of shreds and castanetss ;

these are relics & # 8211 ; as they all suppose. & # 8221 ; ( p.339-341, lines 20-21 ) .

He tells his narratives of how he has deceived people into purchasing

his relics. He tells the narrative of a metal shoulder bone from a

sanctum Jew & # 8217 ; s sheep and how if it is washed in any well, the

farm animal would be cured from eating a worm or acquiring stung by

one if it drank from the well. The Pardoner is non at all ashamed

of what he does to innocent people. He says, & # 8220 ; I don & # 8217 ; t want to

copy any of the apostles ; I want to hold money, wool, cheese,

and wheat, even if it is given by the poorest page, or the

poorest widow in a small town, although her kids dice of

famishment. No! I will imbibe spirits of the vine and have a jolly

dame in every town. & # 8221 ; ( p.345, lines 119-126 ) .

The Pardoner & # 8217 ; s narrative is a really good illustration of his greed and

selfishness. In the Pardoner & # 8217 ; s narrative, three friends begin a

journey in order to slay Death. On their journey, though, an

old adult male leads them to a great trade of hoarded wealth. At this point,

all three of the friends in the narrative show a greed similar to

the Pardoner & # 8217 ; s. The three friends decide that person should

conveying staff of life and vino for a jubilation. As the youngest of the

friends leaves to travel purchase vino, the other two avariciously secret plan to

kill him so they can divide the hoarded wealth merely two ways. Even the

youngest decides to & # 8220 ; put it in his head to purchase toxicant with which

he might kill his two comrades & # 8221 ; . The greed, which is apparent in

the character of the Pardoner, is besides clearly seen in the narrative.

Another trait that is displayed by the Pardoner and a

character in his narrative is hypocrisy. Although the Pardoner is

highly greedy, he continues to seek and learn that & # 8220 ; Avarice is

the root of all evil & # 8221 ; . The characters in his narrative show great

lip service every bit good. As the narrative begins, the friends all act really

trustworthy and faithful towards all of their friends. They make

a determination to put on the line their lives while seeking to murder their

friend & # 8217 ; s liquidator. As they talk about their challenge, they

pledge & # 8220 ; to populate and decease each of them for the other, as if he were

his ain blood brother & # 8221 ; . At the terminal of the narrative, the & # 8220 ; brothers & # 8221 ;

Begin to uncover their true nature. They all turn on each other in

an effort to steal the hoarded wealth for themselves. All of the

trueness, which they had pledged, was merely a prevarication and no

fidelity remained. While the two older & # 8220 ; brothers & # 8221 ; plotted to

kill the younger brother, the younger & # 8220 ; brother & # 8221 ; plotted & # 8220 ; to kill

them both and ne’er to atone & # 8221 ; ( p.363, line 522 ) . Therefore, these

alleged faithful & # 8220 ; brothers & # 8221 ; expose their true pitilessness and

uncover their lip service in relation to the Pardoner & # 8217 ; s character.

It is easy to see the similarities between the forgiver and

Iago. They both deceive people into believing things that will

profit their ain personal addition. Their deceptive enquiries are

of import to the secret plans of the narratives ; it keeps it interesting

and cliff-hanging and it is evidently really successful.