The importance of the character of Marie in The Ou
tsiderThe purpose of this essay is to bring to light the significance of Marie as a character in Albert Camus, The Outsider. Through analysis and criticism, this essay endeavors to reveal her importance as an aid to the better the readers understanding of the personality of Meursault, the protagonist of the novel.
Marie is first introduced to the reader in chapter two of part one. The description of Marie that Camus gives us in this chapter as well in other parts of the book is remarkably objective in nature. In every portrayal of Marie, the author paints a detached picture which highlights the objectification of Marie in this novel. The narrative employs short sentences which serve to emphasize the coldness and lack of emotion in the light under which Meursault sees Marie. This narrative style is noticed in the second paragraph on Page 24 especially in the lines She had her leg against mine, and I was fondling her breasts. Towards the end of the show I kissed her, but badly. Afterwards she came back to my place. The apathy and indifference with which Camus has described Meursaults date with Marie resembles that of a history textbook, simply listing down a chronology of events, like consequences leading to a final outcome. The narrative in the rest of the chapter is comparatively rich in the use of adjectives and feeling. This shows, therefore, the objectification of Marie even during her introduction in the novel.
Another characteristic trend that is observed in the description of Marie, is sensuality. Marie is presented only as a body, especially in the first part of the novel. The descriptions are sexual in context which exhibits the objectification of Marie into a body . The lines on page 37 , I really fancied her because she was wearing a pretty red and white striped dress and leather sandals. You could see the shape of her firm breasts and her suntanned face was like a flower., are indicative of this point under consideration. We get similar descriptions in other parts of the novel as well .These bodily descriptions give us the sense of emotional detachment that Mersault feels for Marie and points out that the essence of their relationship revolves purely around sex and physical pleasure. The character of Marie has thus been molded into a commodity and a vessel of sexual satisfaction. This commodification of Marie can be distinctly noticed in the line Yesterday was Saturday and Marie came over as wed arranged. This line characterizes the objectivity of their relationship thus reinforcing my inference that Marie is Meursaults object of fancy, just like a toy in a childs hands.
We thus made aware of Meursaults choice of not entangling himself in a relationship of love and emotion. When he was asked by Marie whether he loved her, Meursault replied that he it did not mean anything to him but he probably did not. On another occasion, Meursault also showed an indifference when asked about marriage. He replied that marriage was not a serious matter for him but that he would not mind. Meursault also bluntly added that he would have said the same thing to any other woman. But Marie did not shiver from the coldness of Meursaults statements. Instead, she said that she probably loved him for being peculiar and that is why she would like to marry him. Meursault is identified to be a character who believes in the frankness of opinion. This is what makes him seem emotionless and this lack of emotion is seen as an incongruence with the norms of society. That is what makes Meursault the Outsider. Meursault candidness is thus reflected in his relationship with Marie for the fact that he sees her as an thing and still chooses not hide behind a mask of pretentious emotions. His objectification of Marie is thus indicative of Meursaults own personality.
Further objectification of Marie can also be observed through the absence of voice that the author has given her. This has been intentionally created by Camus to highlight her commodification. Maries voicelessness can be seen at every instance in the novel involving her. One distinct point