Three Poems – An English Comparative Analytical Essay Essay
Three masterfully written verse forms. “Does it Matter? ” by Siegfried Sassoon. “Jorge the Church Janitor Finally Quits” by Martin Espada. and “Undertaker” by Patricia Smith all depict how people toil or feel about their occupations and the adversities or letdowns that come with it All three verse forms tackle the common subject of work and people. The three literary pieces besides highlight how some people struggle for human self-respect and muster bravery and doggedness while undertaking their occupations.
All three verse forms similarly express an indignation or a sense of letdown or disenchantment on how other people or establishments may demo apathy or an detached attitude for people who expend clip and even give their lives in the line of responsibility. Through graphic imagination and literary devices. the three verse forms strike a resonant chord in the Black Marias of readers. particularly those who can place with the booby traps or disking experiences faced by people keeping a nice and baronial occupation – whether every bit soldier. a church janitor. or an mortician.
The differences of the three verse forms lie in the type of poesy every bit good as literary techniques employed to convey the message or the implicit in subject. One likewise surmises that their several household background and life experiences besides had a bearing on the stance taken by the poets of the selected verse form. Siegfried Sassoon’s “Does it Matter” is a modern-day war poesy. utilizing the 2nd individual point of position. that says much in a few stanzas.
Martin Espada’s “Jorge the Church Janitor Finally Quits” is a longer verse form that is affecting yet ends in an amusive mode because of the manner it alludes to the talker who is besides the chief character. who uses the first individual point of position. in a self-deprecating mode. In contrast to these two verse forms. “Undertaker” by Patricia Smith is a narrative poesy that recounts events in the external universe. Unlike the other two verse forms by Sassoon and Espada. “Undertaker” is more of a free-flowing verse form that has no cohesive rhythmic construction.
It appears more like a cut-up prose. yet the reader’s attending is captured right from the start because of really graphic imagination. prosecuting him to read the full piece until the powerful impact or message of the poem sinks in. “Undertaker” is loaded with emotions as it recounts the defeat and ineffectual efforts of the mortician himself to distance himself from the sorrowful clients. normally female parents who lose their childs to gang force at a immature age. he perennially encounters.
The three poets use different literary techniques and words to show the same construct of work and people. On a broader context. the three poets are besides indicating out the societal worlds or inequalities people face. Work. in the ideal sense. is something people wish they can be proud of or supply a sense of fulfilment. Through his verse form. “Does it Matter. ” Siegried Sassoon appears like he is showing his ain angsts about the horrors of war.
As we all know. most people who go off to war as a obliged citizens of their state normally end up disfigured. mutilated or worse. a casualty. The writer clearly pities person who lost his limbs. his sight. and worse. his dreams and aspirations. because of the war. The verse form besides mirrors the contempt that the writer may be experiencing over the atrociousnesss of war. “Does It Matter” employs anaphora. and is full with sarcasm and irony. When Sassoon repeats the phrase “Does it affair?
” ( Annas and Rosen. 2009. p. 1024 ) he is in consequence presenting a rhetorical inquiry in a sarcastic mode to show his deep sentiment about how people my respect a soldier’s predicament with indifference. Martin Espada’s “Jorge the Church Janitor Finally Quits. ” on the other manus. depicts the distressingly dull being of a church janitor. It uses many figures of address like similes. metaphors. personification to the hilt to show the angsts and sentiments of the janitor.
specifically his accrued letdowns on such a ungrateful business. “Undertaker” by Patricia Smith. on the other manus. depends a great trade on imagination to depict precisely how the mortician feels about his work. and how he empathizes. albeit in a wearied sort of manner. to the bereaved female parents of immature people. something that he must continually cover with. utilizing the first individual point of position. Smith lets the mortician explore the events environing the boy’s decease from the position of a seasoned practician.
The linguistic communication is modern and resorts to street talk to exemplify how belligerent pack members behave and speak. The verse form besides uses several figures of address like personification. allusion. metaphor to convey the chief point. The writer highlights the numbing lone being and difficult work of the mortician as he meticulously patches up cadavers. as follows: “I work entirely until the subdued being of forenoon. set over my ghastly puzzle pieces. pasting. lodging. making a mentum with a brushstroke” ( Annas and Rosen. 2009. p. 181 ) .
The mortician clearly acknowledges that while parents turn to him for aid in an beseeching mode. he to the full knows that his occupation is non an easy one and requires both physical staying power and interior bravery. The writer besides perceptibly uses the phrase “Fix my boy” ( Annas and Rosen. 2009. p. 181 ) repeatedly to mirror the despair of the parent who is cleaving to the last traces of hope of seeing their childs — who have perished because of force on the streets – every bit near as possible to the manner they were before they were victimized by offense & A ; force.
In all three verse forms. there is a touch of weakness in the manner the single workers – the soldier. the janitor. and the mortician – are depicted populating out their mundane being while transporting out their several jobs or mission in their peculiar surroundings. Yet one can feel besides the importance and important that each one attaches to his work. even if old ages of making such work that elicits small grasp from others have rendered them misanthropic.
Annas. P. . & A ; Rosen. R. ( 2009 ) . Literature and society: An debut to fiction. poesy. play. nonfiction ( 4th ed. ) . New Jersey: Prentice Hall.